Shadbolt Centre for the Arts, All readings at 7:30 PM.

The Advance Theatre Festival 2024, produced by RST in association with the Shadbolt Centre for the Arts and Playwrights Guild of Canada, is curated by Tricia Trinh. The festival showcases new works written and directed by female identifying and gender non conforming artists who also identify as IBPOC.
 

Gavan Cheema, Artist In Residence 2023/24 and Advance Theatre Curator 2025

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The Readings

Grandma. Gangsta. Guerilla

by Abi Padilla

MONDAY, Feb. 5 at 7:30 PM

Playwright: Abi Padilla

This ain’t a sob story about war crimes, dementia, nor getting old. It’s a sprint down the memory lane of a butt-kickin’, bar-spittin’, tough grandma who escapes the care home to be with her family. When our favorite Filipino grandma Lola Basyang goes missing, it’s up to her grandchildren Nika and Jun-jun to bring her back to safety. Using their lola’s unfinished memoir, they find clues to her whereabouts, her full-of-beans origin story and the historical turmoils of their motherland. Reminiscent of their immigration stories, they reflect on what it means to maintain family ties in a Western society.

Content Warning:
• Coarse Language
• Brief Mentions and References to Sexual Assault
• Mentions of War

Abi Padilla, Playwright
(she/her)

About the Playwright

Abi Padilla
(She/her)

Abi Padilla is a first generation Filipino-Canadian actor, playwright and filmmaker. A graduate of the Studio 58 acting program, her co-written plays “The Banyan Tree” and “How to F*ck Up a Funeral” were staged at the Six of One: New Play Festival. Her short film directorial debut “Thank You Mila” was showcased at the 2020 MAMM Film Festival. She has performed in numerous festivals such as Talking Stick, Ignite Youth, and Vines Art. Select Acting Credits:
Connie Wong (A Chorus Line, Studio 58), Adella/Ensemble(East Van Panto: The Little Mermaid, Theatre Replacement), Thu/Flower Girl (Vietgone, United Players of Vancouver) and Joy (buto/buto: Bones are Seeds, SEACHS). Inspired by the immigrant experience, myths, folk music and martial arts, Abi’s multi-disciplinary work is rooted in community reconciliation and cultural collaborations.

Abi Padilla is a first generation Filipino-Canadian actor, playwright and filmmaker. A graduate of the Studio 58 acting program, her co-written plays “The Banyan Tree” and “How to F*ck Up a Funeral” were staged at the Six of One: New Play Festival. Her short film directorial debut “Thank You Mila” was showcased at the 2020 MAMM Film Festival. She has performed in numerous festivals such as Talking Stick, Ignite Youth, and Vines Art. Select Acting Credits:
Connie Wong (A Chorus Line, Studio 58), Adella/Ensemble (East Van Panto: The Little Mermaid, Theatre Replacement), Thu/Flower Girl (Vietgone, United Players of Vancouver) and Joy (buto/buto: Bones are Seeds, SEACHS). Inspired by the immigrant experience, myths, folk music and martial arts, Abi’s multi-disciplinary work is rooted in community reconciliation and cultural collaborations.

Director: Katie Voravong

Performers:

Abi Padilla – Basyang
Lissa Neptuno – Nika/ Reporter/ Police Officer
Jimmy Hong – Boss Mayhem/ Nurse/ Soldier
Vince Sendrijas – Jun-jun/ Pedro
Terrence Zhou – Ken/ Captain Manaka/ Gardener

Evina’s Barrier

by Aki Yaghoubi

TUESDAY, Feb 6 at 7:30 PM

Playwright: Aki Yaghoubi 

Even as a little girl, Evina dreamed of being an actor. But when performing Alma’s role in a production where Evina is the only actor with a speaking role, she freezes to complete silence. The show is canceled, and Evina quits acting forever. Evina recalls she saw her father in the audience, who wasn’t even in the country. Who did she see? What sent her to complete silence? Will Evina come out of her barrier? 

Content Warning: This play talks about childhood traumas, such as rejection and abandonment, which might trigger some people. 

Aki Yaghoubi, Playwright
(she/her)

About the Playwright

Aki Yaghoubi 
(She/her)

Aki Yaghoubi is an award-winning Iranian-Canadian theatre and film artist. She studied Acting & Directing and Scriptwriting at the Samandarian Artistic Educational Institute, Tehran, Iran. She trained under iconic Iranian artists Hamid Samandarian, Bahram Beyzai, and Mohammad Rezaeirad. In Canada, she has worked alongside Rahul Varma, artistic director of Teesri Duniya Theatre; Diane Roberts, creator and director; Emma Tibaldo, artistic director of Playwrights’ Workshop Montreal; and Jivesh Parasram, artistic director of Rumble Theatre. She received two grants from the Canada Council for the Arts for her plays Parifam, and Tara’s Barrier. She won DémART-Mtl grant from the Conseil des arts des Montréal (2017); and the Outstanding Actress Award for the film Sin la Habana from the Reelworld Film Festival (2021). Her play Parifam was selected for the Ruby Slippers Theatre’s Advanced Theatre Festival (2023). Parifam’s world premiere is scheduled for April 2024 at The Cultch at the Femme Festival.

Aki Yaghoubi is an award-winning Iranian-Canadian theatre and film artist. She studied Acting & Directing and Scriptwriting at the Samandarian Artistic Educational Institute, Tehran, Iran. She trained under iconic Iranian artists Hamid Samandarian, Bahram Beyzai, and Mohammad Rezaeirad. In Canada, she has worked alongside Rahul Varma, artistic director of Teesri Duniya Theatre; Diane Roberts, creator and director; Emma Tibaldo, artistic director of Playwrights’ Workshop Montreal; and Jivesh Parasram, artistic director of Rumble Theatre. She received two grants from the Canada Council for the Arts for her plays Parifam, and Tara’s Barrier. She won DémART-Mtl grant from the Conseil des arts des Montréal (2017); and the Outstanding Actress Award for the film Sin la Habana from the Reelworld Film Festival (2021). Her play Parifam was selected for the Ruby Slippers Theatre’s Advanced Theatre Festival (2023). Parifam’s world premiere is scheduled for April 2024 at The Cultch at the Femme Festival.

Director: Daniela Atiencia

Performers:
Sarvin Esmaeili: Evina
Raugi Yu: Therapist
Kate Ely: Iris
Grant Vlahovic: Iris’ Father

A Captivating Woman

by Natasha Chew

WEDNESDAY, Feb. 7 at 7:30 PM

A Captivating Woman is a one-woman meta-theatrical show revolving around Annalyn, who we meet holding Steve (and the audience), a convenience store clerk at gunpoint for a box of cereal. The show begins with her robbing the corner store but eventually reveals she is severely underprepared and frankly averse to going through with the task at hand. As she finds herself in a sticky situation of her own making, she tries to rationalize her actions. Fighting between her need to perform a sympathetic character to the audience and her need for catharsis, she chronicles her “success” and the synchronous revelation that her life, like Theseus’ boat, may no longer be hers. What seems like a woman “snapped” becomes the portrait of a woman’s undoing: starting over slowly and deliberately amid the rubble, fumbling her way back to the start. 

Content warnings for the play: Sexual content. Gun Violence. 

Natasha Chew

About the Playwright

Natasha Chew

Natasha Chew is an emerging Asian-Canadian storyteller who is currently based on the unceded territories of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and Sel̓íl̓witulh (Tsleil-Waututh) Nations. Natasha has recently had her work showcased at the Cultch and Presentation House Theater, and is especially passionate about celebrating moments of levity and joy in the navigation of an ever-evolving identity.

Natasha Chew is an emerging Asian-Canadian storyteller who is currently based on the unceded territories of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and Sel̓íl̓witulh (Tsleil-Waututh) Nations. Natasha has recently had her work showcased at the Cultch and Presentation House Theater, and is especially passionate about celebrating moments of levity and joy in the navigation of an ever-evolving identity.

Director: Anjela Magpantay

Performer:
Sarah Roa: Annalyn

Dramaturg: Jesse Del Fierro

Attachments

by Tricia Trinh

THURSDAY, Feb 8 at 7:30 PM

Playwright: Tricia Trinh

“Attachments” follows six queer characters, from immigrant/refugee families, navigating an intersectional polyamorous relationship. Opening on the morning of Frankie’s thirtieth birthday in which she learns her best friend is throwing her a surprise party; on the guest list are all of her partners and her partners’ partners. In exploration of Attachment Theory, the lovers are double cast as their partner’s parents to investigate how our first relationship with our parental figures bleeds into all of our future relationships. The play toys with dramaturgical form through two atypical dinner scenes that utilizes simultaneous dialogue in English, Cantonese, Japanese, Spanish and Italian; to explore the struggles and privileges between class, culture and gender. 

Content warning: Mention of smoking, drinking, psychedelics, sexual intimacy, bdsm, homophobia, anti-non-binary sentiment, racism. 


Tricia Trihn, Playwright
(They/ She/ He )

About the Playwright

Tricia Trinh
(They/ She/ He )

Trinh is a queer, genderfluid, interdisciplinary, Chinese-Vietnamese-Canadian, theatre artist; with a background in playwriting, directing, curating and producing. Graduate of UVic. Founder of Dusty Foot Productions. Selected Playwright/Director Credits: Probability [rEvolver 2018], Red Glimmer [Fringe 2019], Attachments [Tremors 2020]. Selected Assistant Director Credits: we the same [Ruby Slippers 2021], Henry V [Bard on the Beach 2023]. Her artistic practice aims to examine the duality in intersectional lived experiences, specifically investigating intercultural socio-political influence on queer identity and gender identity. They approach theatre as the most direct vessel in which we can share with one another our humanity. He is immensely grateful for the opportunity to play alongside this electric lineup of storytellers. @dustyfoot_trinh 

Next creative ventures: Directing the premiere production of Dil Ka by Lee Nisar [Ruby Slippers 2024].

Trinh is a queer, genderfluid, interdisciplinary, Chinese-Vietnamese-Canadian, theatre artist; with a background in playwriting, directing, curating and producing. Graduate of UVic. Founder of Dusty Foot Productions. Selected Playwright/Director Credits: Probability [rEvolver 2018], Red Glimmer [Fringe 2019], Attachments [Tremors 2020]. Selected Assistant Director Credits: we the same [Ruby Slippers 2021], Henry V [Bard on the Beach 2023]. Her artistic practice aims to examine the duality in intersectional lived experiences, specifically investigating intercultural socio-political influence on queer identity and gender identity. They approach theatre as the most direct vessel in which we can share with one another our humanity. He is immensely grateful for the opportunity to play alongside this electric lineup of storytellers. @dustyfoot_trinh 

Next creative ventures: Directing the premiere production of Dil Ka by Lee Nisar [Ruby Slippers 2024]

Director: Tricia Trinh

Performers:
Kate Boutilier: Stage Directions
Jennifer Tong: Frankie/Gianna
Rosie Choo Pidcock : Skylar/Jaxtyn
Tanaz Roudgar : Astrid/Ahmya
Alexandra Lainfiesta: Juliette/Rosa
Victor Ayala: Damian/Robert
Kenneth Tynan: Nix/Chinh

Leila Roils the Seas

by Lily Chang

FRIDAY, Feb. 9 at 7:30 PM

Playwright: Lily Chang

Upon receiving news that her grandmother has fallen into a coma in Taiwan, Leila leaves her home in Canada to return to her birthplace, only to find that she alone can see and interact with Pŏpó’s consciousness outside her comatose body. When Pŏpó pressures Leila to help her spirit move on to the celestial realm of Pure Land Buddhism, Leila must suppress not only her nonbelief in the afterlife and her grief over losing her beloved grandmother but also her anger at Pŏpó’s contradictions and history of violence. 

Written by Lily Chang with the support of a Canada Council for the Arts grant, Leila Roils the Seas is a polyglot, seriocomic, magical realism family drama about the special bond and generational, socio-cultural clash between a Taiwanese-Canadian woman and her Taiwanese grandmother. By incorporating different languages (English, Mandarin, Taiwanese, Japanese, Sanskrit), commercials, karaoke, nursery songs, Buddhist mantras, Traditional Chinese Medicine, taiji, Chinese opera, and a chicken dance, the play aims to create noise, movement, and imagery in an innovative way to convey the navigation of the impacts of loss (of one’s family, language, culture, homeland) and violence through generations in loud and quiet forms. 

Content Warning: Signs, mentions, and/or suggestions of indentured servitude, abuse, substance abuse, domestic violence, body shaming, slut shaming, death/dying, ageism, child abuse, aggression against animals, and suicide.


Lily Chang, Playwright
(she/they)

About the Playwright

Lily Chang (she/they)

Lily Chang (she/they) is a queer Taiwanese-Canadian writer, editor, and director/producer based in Tiohtiá:ke/Mooniyang/Montréal. They are a graduate of Concordia University’s MA program in creative writing. Their work has been published by Room Magazine, Frog Hollow Press, HerStry, Dark Helix Press, Headlight Anthology, and Asian Canadian Writers’ Workshop. She was the recipient of the FringeMTL 2023’s Frankie Award for Most Promising Emerging English Producer and a finalist for the 2018 CBC Nonfiction Prize. Their projects have been supported by the Canada Council for the Arts, Access Copyright Foundation, and Barbara Deming Memorial Fund. For her portfolio, visit lilychang.art and canasianarts.com/artist/lilychang

Lily Chang (she/they) is a queer Taiwanese-Canadian writer, editor, and director/producer based in Tiohtiá:ke/Mooniyang/Montréal. They are a graduate of Concordia University’s MA program in creative writing. Their work has been published by Room Magazine, Frog Hollow Press, HerStry, Dark Helix Press, Headlight Anthology, and Asian Canadian Writers’ Workshop. She was the recipient of the FringeMTL 2023’s Frankie Award for Most Promising Emerging English Producer and a finalist for the 2018 CBC Nonfiction Prize. Their projects have been supported by the Canada Council for the Arts, Access Copyright Foundation, and Barbara Deming Memorial Fund. For her portfolio, visit lilychang.art and canasianarts.com/artist/lilychang

Photo of Lily Chang by Alexandre Perrault

Director: Leslie Dos Remedios

Performers:
Emily Ma : Leila
Manami Hara: Po Po
Jade Chang : Auntie Mama
Howard Dai: Silent Man/Johnny/Big Uncle/Physician
Raugi Yu: Uncle Baba/Commercial/Vendor
Agnes Tong: Yiling/Nezha/Young Leila