Managing Trauma on Stage and Off
Can we share difficult truths in safer ways? TRIGGER WARNING: This article contains references to rape. Written by Marisa Emma SmithArtistic Producer, Alley Theatre I was
Home » The Flying Monkey » Page 2
Can we share difficult truths in safer ways? TRIGGER WARNING: This article contains references to rape. Written by Marisa Emma SmithArtistic Producer, Alley Theatre I was
As a Syilx, Tsilhqot’in, Ktunaxa and Dakelh woman, I am a guest on the territories of the Xʷməθkwəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), Selilwitulh (Tsleil-Waututh) and Stó:lō
(*This editorial was published in the Globe & Mail, January 30, 2018.) As a seasoned actor, director, and producer of many professional years, and
Sitting in a Chinatown café, I’m sharing coffee with a young theatre maker. We talk a bit about our projects, but mostly we’re here to
(Talent vs. Body Image: Stage vs. Film) By Maryanne Renzetti It all started as a little girl’s dream. For as long as I can
Ruby Slippers Theatre is part of an exiciting new Joint Marketing Venture ! We are pleased to introduce you to The Catalogue of Independant Arts.
phone: 604-764-1817
our address:
1398 Cartwright Street
2nd floor
Vancouver, BC
V6H 3R8
EMAIL: [email protected]
RST acknowledges that we are uninvited guests on the stolen lands of the Coast Salish People, the xʷməθkʷəy̓əm (Musqueam), Sḵwxwú7mesh (Squamish) and səl̓ílwətaʔɬ (Tsleil-Waututh) First Nations. We are committed to working in solidarity with people who identify as Black, Indigenous, or person of colour as accomplices in not only shifting the colonial default, but dismantling the white supremacist patriarchy.