Veenesh Dubois discusses how systemic racism has affected her career in the theatre industry.
Veenesh Dubois is a Fijian/Indo Canadian actor, playwright and podcaster who lives and works internationally. In the past 6 years Veenesh has acted on stage, television and voice-overs in Japan, Hong Kong, Seoul (South Korea) and New York, where she’s currently working on a podcast about expat life called THE RELUCTANT EXPAT. In 2019, she appeared in Bard On The Beach’s “All’s Well That Ends Well” and received the Jessie Awards’ Best Supporting Actress nomination. In 2009, Veenesh wrote and starred in the Vancouver Fringe Festival winner “Under The Mango Tree,” which she toured all over Canada and performed in Los Angeles and Japan. Veenesh is always creating and finding new ways to connect with people, wherever she hangs her hat.
The Theatre in Multiculture: Perspectives interview series deepens Ruby Slippers Theatre’s radically inclusive vision and mission, our commitment to under-represented voices, and complements other concrete actions we are taking to further BIPOC artist voices and to further diversify our own company and our own work. Read Our Commitment statement here: https://www.rubyslippers.ca/our-commitment.
Multi-award-winning Vancouver-based Ruby Slippers Theatre imagines an inclusive world where diversity is celebrated through a deeper understanding of each other. To bring this vision to reality, RST illuminates under-represented perspectives by giving voice to diverse artists from across the country including Quebec works in English translation. RST defines diversity as gender equity, cultural background, sexual orientation, identity, physical/mental ability, and age.
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RST acknowledges that we are uninvited guests on the stolen lands of the Coast Salish People, the xʷməθkʷəy̓əm (Musqueam), Sḵwxwú7mesh (Squamish) and səl̓ílwətaʔɬ (Tsleil-Waututh) First Nations. We are committed to working in solidarity with people who identify as Black, Indigenous, and person of colour as accomplices in transforming the white colonial patriarchy into something more compassionate and equitable.