Main Page |
Performance History
___________ 1995/1996 ___________
___________ 1996/1997 ___________
Patagonia, by Karim Alrawi, was marked by its starkly original theatricality unrelenting political nature. Composer Andreas Kahre was nominated for a Jessie Richardson Theatre Award for his stunning original sound score. The biannual Brecht In The Park event plays the role of both a neighbourhood happening and a city-wide cultural event. Started in 1994 with Public Dreams, we first co-produced Courage In The Park, an outdoor epic staging of Bertolt Brecht's Mother Courage and Her Children. The production met with such enthusiasm that we then co-produced The Threepenny Opera in 1995.
Our other ongoing series is Acts Of Passion, an annual reading series of Quebecois plays produced with Pink Ink Theatre and Theatre La Seizieme. Also initiated in 1994, Acts Of Passion has exposed Vancouver audiences to some of Quebecs' most exciting theatre work, with special guest artists being flown out for workshops and lectures during the week-long event. Some of these leading Canadian artists include playwrights Normand Chaurette and Abla Faroud, translator Shelley Tepperman, French Canadian theatre expert and teacher Paul LeFebvre and internationally acclaimed writer/performer Pol Pelletier. Acts Of Passion not only offers Vancouver audiences the opportunity to experience Quebecs unique theatrical voice, it also affords those artists the opportunity to share and disseminate their work to fresh ears and minds This creates interest and dialogue, thus providing a link between the two cultures.
___________ 1998/1999 ___________Our 1998/99 season was a resounding success. Ruby Slippers in collaboration with new co-producers Touchstone Theatre and Vancouver Moving Theatre produced their third installment of the Brecht In The Park series this summer. John Lazurus' adaptation of the Good Person of Setzuan premiered in August of 1998. Critics and audiences couldn't get enough as over 6000 people packed the parks at this wildly successful outdoor extravaganza.
Our fifth annual Acts Of Passion reading series of Quebecois plays, co-produced with Pink Ink Theatre and Theatre Le Seizieme, was produced in association with the UBC Department of Theatre, Film and Creative Writing. We flew out internationally acclaimed playwright Michel Marc Bouchard, translator Linda Gaboriau, and teacher/director Paul LeFebvre to partake in the week-long event. Our guests gave lectures to theatre and creative writing classes at UBC and SFU. Ruby Slippers also commissioned the English language translation of Bouchard's Le Chemin des Passes Dangereuses (Dangerous Passes Road) especially for the series, which was performed by Andrew Wheeler, Dean Paul Gibson, and Bob Frazer.
The B.C. Arts Council supported our sponsor Carmen Aguirre and James Fagan Tait to write, rehearse and perform an adaptation for the stage of Walking Words by Eduardo Galeano. Thanks to the committee that made that recommendation, and congratulations to everyone involved in the project. Ruby Slippers was happy to be a sponsor. Also, as part of the Playwrights Theatre Centre's New Play Festival, Ruby
Slippers took part in All Together Now, a roundtable talk about the
process of creating works collectively. Available members from the RubyCAB
gang were on hand, along with The Electric Company and the gals from Mom's The Word, at The Festival Studio.
We kicked off the 1999/2000 season with our sixth and final installment of our Acts of Passion reading series featuring the hottest new work from the Quebec theatre scene. Co-produced with Pink Ink Theatre and Theatre la Seizieme in association with the UBC Department of Film, Theatre, and Creative Writing, Acts Of Passion was a week-long event which showcased cutting-edge works in the form of staged readings heightened by live original soundscores and slide designs. The event also offered lectures and informal discussions with our special guests from Quebec on and off the UBC campus. Ruby Slippers commissioned the English language translation from Robert Dickson of Jean Marc Dalpé's Trick Or Treat especially for the series. Our Passionate guests this year included translator Robert Dickson and playwright Larry Tremblay. Our fund-HELL-raiser was a ton of fun, and a great success! Thank you to the media club, our board of directors, the participating performers, and all who came and supported the company.
![]()
Dorothy Dittrich was the musical director, and Stephane Kirkland directed this reverently irreverent romp to the land of love and intimacy. (La Luna is a project of View the Performing Arts Society.) ___________ 2000/2001 ___________After a long creation process spanning eight months, we were proud to present to you the all-knew, all-original RubyCAB 2000. Created in collaboration with music ensemble Talking Pictures, this raucous evening of jazz cabaret picked up where our 1998 hit The Ruby Cabaret left off, ushering in the new millenium with enlightened, offensive, highly entertaining skits, songs and social satire. RubyCAB 2000 featured most of the original artists including Shawn Macdonald, Ian Ross McDonald, Dave MacKay, Diane Brown, Carmen Aguirre, Katrina Dunn and Talking Pictures jazz Ensemble. RubyCAB 2000 was a huge critical and popular success, and was invited to One Yellow Rabbit's High Performance Rodeo, a national festival of the best experimental theatre in Canada! ___________ 2001/2002 ___________
Award-winning Ojibway playwright and humourist Drew Hayden Taylor wielded his satiric pen to great effect in this world premiere inspired by the Bertolt Brecht / Kurt Weill repertoire. A broad comedy peppered with haunting images and powerful songs, Sucker Falls told the story of the appearance and collapse of a First Nations casino. This epic musical featured all the spectacular elements that have wowed Brecht in the Park audiences in past years: stiltwalking, giant shadow play, and pyrotechnics lighting up the sky. Throughout the play a hot quartet cooked into the night with an original brew of country / cabaret songs and soundscapes, straight out of the pop culture Cuisinart. The ensemble featured well-known Toronto actors Herbie Barnes, Monique Mojica, and Michelle St. John; local favourites Tasha Faye Evans, Kim Kondrashoff, Jacques Lalonde, Kevin Loring, and Ian Ross McDonald; spectacle performers Sharon Bayly, Laura Crema and Bessie Wapp; along with musicians Travis Baker, Joel Lower, and Dylan van der Schyff, led by Ron Samworth. The design team featured a set by Kate King, costumes by Rebekka Sorensen, spectacle elements by Rick Holloway, and pyrotechnics by Nancy Lee. Down Dangerous Passes RoadOur English language world premiere production
was presented at the The Belfry Theatre in Victoria in March 2002.
A haunting and poetic masterpiece
by internationally renowned playwright
Michel Marc Bouchard with translation by
Linda Gaboriau. Ruby Slippers'
Down Dangerous Passes Road featured the
original fabulous design team of
lighting by Adrian Muir,
set and costumes by Kate King,
soundscore by Yorrit Dijkstra, and visual
design by Tim Matheson. The show also included the acting talents of
Bob Frazer, Donald Adams and
Peter Wilds.
Directed by Diane Brown.
PHOTO: Nick Seiflow, actor: Mercedes Bains
The 2002/2003 season included the artistic residency of one of
Vancouver's hottest young playwrights, Lucia Frangione, the
premiere presentation of Karen Hines latest biting social satire (the third
in her infamous Pochsy trilogy), and the premiere production of Drew
McCreadies wickedly funny analysis of dysfunctional bliss.
In addition to these projects, Ruby Slippers is took part in the official
Canadian Delegation attending the Six Stages Theatre Festival in Prague.
We also met with several presenters, artists and Festival
Directors across Europe to further expand our pool of collaborators and
opportunities abroad and at home.
In March 2003, Ruby Slippers (in association with The Firehall Arts Centre)
presented the Canadian premiere of Karen Hines new play.
The third in the cult-classic Pochsy Trilogy featuring the
irrepressible Karen Hines, CITIZEN POCHSY was described as “an
apocalyptic vision of Betty Boop with the face of Clara Bow and
the heart of Joan Crawford.”
A dynamic collision between Dante's Inferno and Pochsy's day
timer, Citizen Pochsy comically mines the treacherous territory
of contemporary citizenship.
Ruby Slippers Theatre proudly produced the premiere production of local
playwright Drew McCreadie's black comedy, The Cat Who Ate Her Husband at the Firehall Arts Centre.
This dark sexual satire offered merciless insights into the secret fears and
fantasies of six sheltered suburbanites. It was directed by Diane Brown.
The working title of the project is M-M-M.
Mod is the icon child product of Marilyn Monroe and the grand
daughter of Mae West. She is at a crisis point in her life. She has to
choose between a career in the fashion industry as a top world model
or accept NASA's offer, and her growing intolerance of wheat is taking
up far too much of her energy with food preparation. She's addicted
to Yoga, allergic to oxygen, can't find her G spot, and has a boyfriend
who refuses to support her lesbian explorations. These conflicts lead to
a deconstruction of feminine ideals from the last century, and a wishlist
for the next as she attempts to carve out her own sexual identity.
To the Top
![]() Ruby Slippers Theatre, with the Firehall Arts Centre, co-presented the Western Canadian premiere presentation of Marie Brassard's haunting and sensual Le Noirceur. Le Noirceur featured Brassard, a protege of Robert LePage, sharing the stage with another actor / dancer and a musician. The three explored friendship in a story about a little girl killed by a car. Intimate, personal and highly refined, the piece induces a very direct rapport with the audience.
When sex icon Mod released her first pop album Jam This Up
Yours, she was the toast of the town. Now she's dry toast, with a
career tits up and assets drooping. We joined Mod, Mae and Marilyn for too many martinis as we
traversed a century of feminine identity through a family of
battling sex icons.
To the Top
A tragic comedy of dire warnings and light hearted musings drawing on all things opposite - Denise Clarke has given up and is ready to go. Clarke bought sharply drawn observations and glorious physical response together in a strange but beautiful and funny little show about the whole world and one person in it. Denise Clarke is known for her solo work and for her long-time association with One Yellow Rabbit. Last season she brought her theatre/dance piece Sign Language to Vancouver, and the season before was part of the OYR ensemble in Dream Machine also in Vancouver.
Sets by Yvan Morissette Lights by Itai Erdal, costumes by Sheila White, sound and visuals by David Hudgins, featuring Scott Bellis, Beatrice Zeilinger and Allan Zinyk along with the senior students of Studio 58 Wanda, a modern New Jersey gal, is having problems with breast implants. Victoria, a tightly corseted Victorian, is waiting to have her ovaries removed. Forgiveness, a wealthy 18th century Chinese woman with bound feet, is waiting to have her toe re-attached. The Waiting Room examines the balance of power between men and women, eastern and western cultures and conventional and unorthodox medicine. Lisa Loomer's ironic comedy asks - at what cost beauty? To the Top
![]() Photo of Denise Clarke by Sean Dennie Ruby Slippers presented a repeat performance of Denise Clarke's A Fabulous Disaster in November of 2005 at the Firehall Arts Centre.
Ruby Slippers Theatre's production of The Leisure Society was nominated for FIVE Jessie Richardson Theatre awards, and won for Outstanding Production and Outstanding Direction (Diane Brown) at the 2006 Awards Ceremony at The Commodore Ballroom. "One hell
of a show." "A vicious,
erotically
charged
spectacle full
of cynical
disdain and
gripping
pathos." "The Leisure
Society is a dark,
twisted and
brilliant take
on modern
marriage ... It is
a play that will
no doubt arouse
deep-seated
discussions
and thought." Read more reviews To the Top
Created and performed by Tara Cheyenne Friedenberg, Directed by Sophie Yendole with Music composed by Marc Stewart Tara Cheyenne Friedenberg began creating bANGER as Ruby Slippers' Artist In Residence two years ago. Theatre meets dance meets metal! "... while her brilliant text and hilarious male
characterizations are a feminist tirade,
she actually brings poignancy
to the men she targets." In April 2007 we presented Trout Stanley at Performance Works and at the Shadbolt Centre. Trout Stanley written by Claudia Dey and directed by Diane Brown. It featured Lois Anderson,
Colleen Wheeler, and Jonathan Young. Set was by David Roberts, lights by Itai Erdal, sound by Patrick Pennefather, costumes by Sheila White, visuals by Tim Matheson. Grace works at the town dump. Sugar makes tragic figurines. Together, they have settled into routine until the Scrabble Champ Stripper disappears, and Trout Stanley appears, turning the tables on these mismatched twins. "a deliciously lyrical piece of Canadian Gothic" "The frequently arresting imagery spilling out of people's
mouths lends music to the sometimes dark, sometimes
comic action, which involves various loves bent out of
shape by too much or too little expression." Our Western Canadian premiere production of Trout Stanley was nominated for many Jessie Richardson Theatre Awards, including Outstanding Direction and Production. Playwright in Residence
|